![]() "If" is a quiet poem sung to a mellow guitar melody. The rest of the album is totally different especially the tracks "If" and "Summer 68," which contrast greatly with the first composition by being rather wimpy pop tunes. It's nice, that the band tried to put orchestra together with their own music, but I think this wasn't the ideal outcome. I like some of the bluesy parts of AHM, but the song is way too long and the title melody is pretty boring. The song ends with reappearance of the title melody that goes on until the end. ![]() These sounds are really superb and one wonders where they got such samples in the year 1970! This part of the song nods to all those who criticized the band for concentrating on spaced out music rather than their bluesy roots, but at least this noodling is interesting. When the song reaches its second half, a cacophony of some really weird sounds comes rolling in and suddenly the listener is thrown into another world. The orchestra is soon replaced by the band themselves, playing stripped down mellow blues with a cool ensemble of vocalists joining into the mix. The song starts with a loud orchestral melody that sounds as if it were ripped off from some kind of spaghetti western or a cold war drama. For those who know Pink Floyd solely through lyric dominated albums such as "The Wall" and later "dehydrated" Floyd albums, however, it may come as something of a shock.The first track just happens to be the 23-minute epic title track, which literally takes up the entire first half of the whole album! The name of the track, which was randomly picked by Roger Waters, is taken from a newspaper article about a woman who got a pacemaker to stimulate her heartbeat. ![]() This album is unique and a "must" for any serious Floyd fan. The music is not as strong as the title track, but there is that certain "something" about it (and the album as a whole) that keeps me coming back for more. The album concludes with "Alan's Psychedelic Breakfast" another instrumental suite punctuated by sound effects and a backround voice. In my opinion these songs are all stronger then the short songs from Meddle. "If" is memorable as Water's first "list song" and includes possibly his first references to insanity : "If I go insane, please don't put your wires in my brain", and "Fat Old Sun" is a beautiful sleepy Guilour effort. While none of them can be described as "high impact" songs, all three have a haunting simplicity and the best lyrics up to that point. Side 2 of the lp consists of three songs, "If", "Summer of '67" and "Fat old Sun" written by Waters, Wright and Guilmour respectively. The musical themes themselves are both noble and grand in nature and the Suite is, quite simply an astonishing piece of music which is comparable to such modern classics as Holst's "The Planets". Whereas Echoes was built largely on the quality and texture of sound itself, beginning with that repeated and distorted keyboard note, AHM is based on musical themes which are repeated and developed in the classical style throughout the piece. ![]() Apart from its length and the fact that it is largely instrumental, it bears little resemblance to "Echoes" from the "Meddle" album. The album opener, "Atom Heart Mother Suite" (side 1 of the lp) is a 23 minute epic. This is largely due to the influence of Ron Geesin who co-wrote the title track and the use of brass instruments and a choir to add texture and colour to the sound. Something of an enigma among their work, this is the one Floyd album which doesn't have the trade mark "Pink Floyd Sound" be it the cosmic / nursery rhyme feel of the Syd Barrett era or the tight, lyrics dominated Roger Waters era. Atom Heart Mother Album Review By James Caulfield"Atom Heart Mother" - best album title and containing the best song title ever : "Alan's Psychedelic Breakfast"! ![]()
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